Synopsis: There are two heroes in the frustrating military actioner “Land of Bad,”
and one of them’s more convincing than the other. During a hostage
extraction mission gone bad, both heroes fight the kind of terrorists
who behead a hostage in an establishing scene and then later
philosophize about the real difference between us and them (it’s a
doozy).
“Land of Bad” is most compelling when it sticks to hero #1, the capable
but inexperienced Air Force Sergeant J.J. “Playboy” Kinney (Liam Hemsworth). Hemsworth’s a believable man of action, thanks in no small part to strong action choreography and filmmaking. His co-star, Russell Crowe,
is no slouch either, even though it is harder to appreciate his
performance given his irritating role as hero #2. Crowe plays Captain
Eddie “Reaper” Grimm, the socially awkward, but professionally adept
drone pilot who tries to guide Kinney away from terrorists and missiles,
and then eventually towards rescue.
Crowe’s most endearing when he’s staring wide-eyed at mood-lit banks
of computer monitors, relaying and extrapolating information with his
supportive wing-lady, Staff Sergeant Nia Branson (Chika Ikogwe).
Grimm’s a lot less charming when he’s mostly explicitly making the
movie’s big bathetic point, all about the military’s failure to support
capable, dedicated professionals like Grimm, who has to fight up-hill to
be taken seriously. “Land of Bad” may sell itself as a post-“Black Hawk Down”
rescue mission thriller, but it’s too often a baggy dramatized lecture
about what’s really wrong with the American military and modern warfare.
As Kinney’s handler, Grimm guides Hemsworth’s overwhelmed,
but capable soldier while he shoots, climbs, and wades through enemy
territory in search of a high priority hostage. The prisoner in question
is a CIA spy who’s been gathering intelligence on a dangerous Russian
arms dealer. None of that matters once Kinney’s team engages with their
bloodthirsty enemies, who, according to some introductory on-screen
narration, are among “the most violent extremist groups in Southern
Asia.”
The makers of “Land of Bad” mostly reduce their movie’s antagonists
to generic obstacles for Kinney, except for a few key scenes that strain
to establish why they’re actually the worst. These bad guys (briefly)
revel in their psychopathy, torturing and executing their prisoners in a
“Saw”-looking
cave prison. “I look a man in the eye and I make my choice intimate,”
one torture-prone terrorist boasts, moments after Kinney insists,
“That’s not the conversation we should be having right now.”
So
when is the right time? Maybe not in “Land of Bad,” where hero #1
rarely slows down long enough to explain himself while hero #2 should
probably follow suit. Grimm’s a neurotic mess, an energy-drink fueled
loner who takes great umbrage with snotty (and notably younger) Colonel
Virgil Packett, played by Daniel MacPherson.
Some pains are taken to humanize Grimm, mostly during
for-the-cheap-seats comedic asides about how ignoble, but also
down-to-earth he is.
Grimm’s particular about his work chair. He makes a big to do about
Keurig-style coffee pods and is painfully sincere when he tells Branson
that a wedding is, “probably the greatest social ritual that humanity
has.” Grimm’s also the only one who can bring Kinney back safe, a rote
characterization that’s mainly unbearable given how plodding and
plentiful Grimm’s scenes are. Why is there so much of hero #2 in this
movie, or really, why do we have to know so much about him in order for
his rapport with hero #1 to matter?
Grimm accidentally puts his finger on why most of his scenes are so
irritating, both as a dramatic break and defense of Kinney’s grisly and
sometimes thrilling scenes. Speaking about his fourth wife, he tells
Branson the old joke about how you can tell if someone’s a vegan. “They
will tell you,” he laughs to himself.
Any “Land of Bad” scene
where characters show you why they’re the best at what they do is
usually enticing, at least compared when they desperately try to make
you see pulpy cyphers as flesh-and-blood people. Director William Eubank
already proved his technical finesse and solid understanding in earlier
features, like the Kristen Stewart-led 2020 disaster adventure “Underwater.”
So it’s not surprising to see that “Land of Bad”’s action scenes are
eerily poised and even beautiful because they're dynamically lit and
paced, and generally full-throated in their sensationalism. An airborne
missile strike that takes out and ignites a hillside of militants (and
their truck!) serves as a strong showcase for what Eubank’s latest has
to offer.
In its faint defense, “Land of Bad” delivers simple pleasures, like when Milo Ventimiglia,
who’s also in this movie, shanks a terrorist in the neck with a broken
dinner plate. Eubank and his collaborators might have delivered a better
movie if they’d just made a high-toned programmer. As it is, “Land of
Bad” is a pandering drama with some action movie thrills.
Cast: Liam Hemsworth | Russell Crowe | Luke Hemsworth | Ricky Whittle | Milo Ventimiglia | Chika Ikogwe | Robert Rabiah | Gunner Wright | George Burgess | Daniel MacPherson | Andre Martine.
Director: William Eubank
Writers: David Frigerio | William Eubank.
Stars : Liam Hemsworth | Russell Crowe | Luke Hemsworth.
OFFICIAL TRAILER
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